The well-known American set designer Boris Aronson was born in Kiev and came of age during the Russian Revolution. Initially, he worked in various media: painting, sculpture, and costume design, as well as scenic design. While in Moscow, he embraced the constructivist style. He left the Soviet Union and, after a short time in Berlin, settled on the Lower East Side of New York City in 1923. He began designing sets and costumes for the more experimental Yiddish theaters and then, in the early 1930s, began to work on Broadway. He was responsible for the design of major Broadway productions, including The Crucible, The Diary of Anne Frank, Fiddler on the Roof, Cabaret, Follies, and A Little Night Music. He won the Tony Award for set design six times.
The masterpiece of eighteenth-century Ladino literature is the encyclopedic commentary on the Bible, Me‘am lo‘ez (From a People of Foreign Tongue), by Jacob Huli, the first volume of which was…
Johann Christoph Georg Bodenschatz's Kirchliche Verfassung der heutigen Juden, sonderlich derer in Deutschland (Religious Constitution of Today’s Jews, Especially Those in Germany), published in…
This is a Spanish edition of David Nieto’s Mateh Dan (The Tribe of Dan). David Nieto’s best-known work constitutes a defense of the oral law and rabbinic tradition, addressed to former New Christians…