The avant-garde painter Adolph Gottlieb was born into a Jewish family in New York City. As an art-obsessed teenager, Gottlieb fled to Paris; he learned painting, in part, though daily visits to the Louvre and by haunting museums and galleries all over Europe. In the 1930s, as his career flourished, Gottlieb was horrified by the rise of fascism; as a symbol of his defiance, he changed the spelling of his first name: Adolf became Adolph. Later that decade, Gottlieb demanded that the American Artists’ Congress repudiate Hitler and Stalin. When it did not, he resigned.
June 7, 1943Mr. Edward Alden JewellArt EditorNew York Times229 West 43 StreetNew York, N.Y.Dear Mr. Jewell:To the artist, the workings of the critical mind is one of life’s mysteries. That is why, we…
Among the figures of contemporary ballet on the Maryinsky’s stage, Mathilda Kshesinskaya constitutes a phenomenon of exceptional interest. Her name enjoys great fame, her talent—unusually brilliant…
David Yakerson’s Adam and Eve dates from a time before his turn to the much more abstract style of suprematism. In this illustration, Adam and Eve blend in with other decorative elements in a…