The son of an observant Jewish family in Groningen, Holland, Jozef Israëls became one of the foremost Dutch artists of the nineteenth century. After initially painting portraits and historical subjects, in the 1850s Israëls turned to painting genre scenes in a powerful realist style, particularly depictions of the hard lives of fishermen and their families. In the 1870s, Israëls became a leader of the Hague school and achieved international renown. Late in his career, Israëls portrayed Jewish subjects, notably The Son of an Ancient People (1889) and The Jewish Wedding (1903), as well as biblical subjects.
The Last Breath is one of the genre paintings depicting the lives of fishermen and their families for which Jozef Israëls was best known. In this scene, a woman is weeping over the body of her husband…
Rythme coloré (Colored Rhythm) embodies the concept of Simultanisme, a style developed by Sonia Delaunay and her husband Robert Delaunay in the 1910s. Simultanisme (also known as Orphism) was based on…
Maurycy Gottlieb saw his art as essential to his universalist vision, namely, as a way to improve Polish-Jewish relations. As he said, “I am a Jew and a Pole and, God willing, I want to serve both.”…