The works of American photographer, performance and video artist, and sculptor Hannah Wilke, born Arlene Hannah Butler in New York, are known for explorations of sexuality, gender, and feminism through forms that are either suggestive of the female body or that explicitly depict it. Considered the first feminist artist to use vaginal imagery in her work, Wilke began in the 1970s to use her own body in performances documented by photographs and video that she dubbed “performalist self-portraits.” IntraVenus, a group of photographs documenting her experience with cancer, was exhibited posthumously at Ronald Feldman Fine Arts in 1994.
Cover of sheet music for “Sadie Salome, Go Home.” Fanny Brice (1891–1951) was born Fania Borach in New York City to immigrants from Hungary and Alsace respectively. Getting her break in entertainment…
Six Prayers was commissioned by the Jewish Museum in New York as a memorial to the victims of the Holocaust. The six tapestries evoke Torah scrolls or prayer shawls. The shapes in the central part of…
Based on a painting, now lost, by Maurits Leon, this lithograph by Johannes Heinrich Rennefeld (1832–1877) seems to depict a scene from an 1837 novel about Spinoza by German Jewish author Berthold…