The painter Yankl (also Jankel) Adler was born in Tuszyn (now in Poland) into a Hasidic family. He studied engraving in Łódź in 1913 and received further training in Germany. He later moved back to Łódź and helped to launch the Yung-yidish cultural movement, championing the themes and stylistic features of German expressionism. In 1920, he moved back to Germany, aligning himself with the left-wing avant-garde. His pictures from the Weimar period include no Jewish references. He lived in France from 1933 to 1940 and then fought with the Polish Free Army before being evacuated to Scotland in 1941. He eventually moved to London. He returned to painting Jewish themes in the 1940s. His work frequently depicts the suffering of European Jewry during the Nazi years.
The three art nouveau-influenced covers by Ber Kratko for three of Y. L. Peretz’s plays feature somewhat grotesque figures. The one for Vos in fidele shtekt (What Sticks in the Fiddle) features a…
Shortly before World War I, Meidner was active in a circle of Berlin artists called Die Pathetiker (The Sorrowful Ones), who were early practitioners of what later came to be known as expressionism…
Though Lippy Lipshitz was best known as a sculptor, he produced a small body of paintings, including this watercolor. Its dark palette is similar to that of other pictures he made in the 1940s…