An illustration by El Lissitzky from Chaim Nahman Bialik’s Shloyme ha-melekh (King Solomon), from an issue of the Hebrew journal Shtilim (Saplings) that was printed in 1917 in Moscow, two days before…
Wexler is an artist and architect who also makes furniture. Over the years, he has often reinvented the sukkah, the booth in which Jews eat meals during Sukkot, an autumn holiday commemorating the…
In Ashkenazic communities, circumcision benches with two seats were sometimes used from the nineteenth century on, one for the sandek, the godfather on whose lap the baby boy is circumcised, and one…
The work of Israeli artist Moti Mizrachi has been exhibited at the Israel Museum; the Kunsthalle, Dusseldorf; The Jewish Museum, New York; and the Hara Museum of Contemporary Art, Tokyo. In 1980, he represented Israel at the Venice and São Paolo Biennales, and in 2000 at the Poznań and Valencia Biennales. Mizrachi received the Israel Prize of the Ministry of Science and Culture (2002) and the Sandler Prize for Sculpture, Tel Aviv Museum of Art (2003).
An illustration by El Lissitzky from Chaim Nahman Bialik’s Shloyme ha-melekh (King Solomon), from an issue of the Hebrew journal Shtilim (Saplings) that was printed in 1917 in Moscow, two days before…
Wexler is an artist and architect who also makes furniture. Over the years, he has often reinvented the sukkah, the booth in which Jews eat meals during Sukkot, an autumn holiday commemorating the…
In Ashkenazic communities, circumcision benches with two seats were sometimes used from the nineteenth century on, one for the sandek, the godfather on whose lap the baby boy is circumcised, and one…