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The Peace Rider
Moti Mizrachi
1986
Disabled from childhood polio, Mizrachi creates sculptures that relate to the physical form of his subjects. His work, as in the Peace Rider, expresses his political position and vision for the future. This is one of several sculptures depicting a figure on a bike with the symbolic wings of peace.
Disabled from childhood polio, Mizrachi creates sculptures that relate to the physical form of his subjects. His work, as in the Peace Rider, expresses his political position and vision for the future. This is one of several sculptures depicting a figure on a bike with the symbolic wings of peace.
Credits
Collection of Israel Discount Bank. Courtesy of the artist.
Published in:The Posen Library of Jewish Culture and Civilization, vol. 10.
After noticing the prevalence of red and pink in a 1990 catalogue of Greta Garbo’s art collection, Livneh became attracted to colors. Red and orange predominated in some of his works and were…
Glicenstein depicted the Jewish Messiah as a semi-nude figure in the classical style, with bowed head and tethered to his seat. It received early recognition, admired by Rodin and praised in the…
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The work of Israeli artist Moti Mizrachi has been exhibited at the Israel Museum; the Kunsthalle, Dusseldorf; The Jewish Museum, New York; and the Hara Museum of Contemporary Art, Tokyo. In 1980, he represented Israel at the Venice and São Paolo Biennales, and in 2000 at the Poznań and Valencia Biennales. Mizrachi received the Israel Prize of the Ministry of Science and Culture (2002) and the Sandler Prize for Sculpture, Tel Aviv Museum of Art (2003).
After noticing the prevalence of red and pink in a 1990 catalogue of Greta Garbo’s art collection, Livneh became attracted to colors. Red and orange predominated in some of his works and were…
Glicenstein depicted the Jewish Messiah as a semi-nude figure in the classical style, with bowed head and tethered to his seat. It received early recognition, admired by Rodin and praised in the…
Simmons is best known for artworks in which she stages dolls, plastic figurines, and other inanimate objects in tableaus and then photographs them. In 1987, she began to use wooden ventriloquists’…