The pioneering modernist sculptor Jacob Epstein was born on the Lower East Side of New York. He studied art in New York and Paris and settled in London in 1905. Much of his early work, with its explicit sexuality, rough-hewn composition, and indebtedness to non-European sculptural traditions, challenged taboos on what was appropriate for public art and aroused intense controversy. Later, Epstein became known for his bronze sculptures of the heads of public figures. He was also the illustrator for The Spirit of the Ghetto, an early intimate and sympathetic portrait of New York immigrant Jewish life by the non-Jewish journalist Hutchins Hapgood (1869–1944).
Jacob Epstein’s primitive style was not to everyone’s liking, especially when it came to his sculptures with biblical and religious themes. The overt sexuality of some of his sculptures also aroused…
When I was born, I was given the name Manuel, after my grandfather, Manuel Alvares Pinto, as was said earlier. For this reason and because I was my father’s eldest son, my grandfather always had me…
This engraving depicting a tailor’s workshop was printed along with others portraying Jewish immigrant life in London, England, in the Illustrated London News in 1891.