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The Liberation of G-d
Helène Aylon
1996
View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
View of “The Liberation of G-d,” part of an installation titled Trilogy and Epilogue, in which Helène Aylon highlights misogynist passages in the Hebrew Bible and other canonical Jewish religious texts.
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Born in New York, Helène Aylon was an American ecofeminist artist whose works address biological, ecological, and theological concerns, including the omission of women’s roles in Judaism. The recipient of two awards from the National Endowment for the Arts, Aylon exhibited her artwork across the United States and was writing a memoir. The Liberation of G-d is part of an installation titled Trilogy and Epilogue, in which Aylon highlights misogynist passages.
Hear, O Israel!
Will you never tire of repeating in your prayers:
“Praised be the Eternal, who avengeth my injuries,
Who protecteth my rights, who supporteth me in need,
Who crusheth my foes, who…
This Torah binder, made for boys at birth and later brought by young men as a symbol of participation in the synagogue, illustrates the fixed nature of traditional gender expectations.
Yehudis:
Yidele—a question. Hear me out.
And please don’t interrupt and start to shout.
Yidele:
I’m not exactly in the mood, my dear,
But go ahead and…