The German-born, American-raised painter and printmaker Henry Mosler worked as an artist and correspondent for Harper’s Weekly during the Civil War. In his home city of Cincinnati, he painted the Plum Street Temple (ca. 1866), representing the synagogue of the leading Reform rabbi Isaac Mayer Wise, as well as portraits of members of the local Jewish community. Mosler subsequently settled in Paris, where he showed his works in the Salon, the annual art exhibition of the Académie des Beaux-Arts, from 1878 to 1897. His 1879 entry, Return of the Prodigal Son, was awarded an honorable mention and acquired for the Musée du Luxembourg, making it the first painting by an American artist that the French government purchased.
All over the world, Jewish art reflected the hybrid nature of Jewishness, including the material circumstances and cultural milieu of the larger environment. Individual artisans and artists selected and created according to their personal and Jewish experiences.
An illustration for the monthly magazine Harper’s, The Thirty-Second Indiana Regiment (Colonel Willich) Building Pontoons in Kentucky was likely drawn by Henry Mosler during the Civil War. Engravings…
This painting of a box of Horowitz Margareten matzah, a popular U.S. brand, is a clear reference to the images of Campbell soup cans and other consumer products that Andy Warhol made in the 1960s…