Laurie Simmons is best known for her photographs and films of scenes featuring paper dolls, finger puppets, and ventriloquists’ dummies, which explore gender, sexuality, domestic life, and consumer culture. Solo exhibitions of her work have been organized at the Baltimore Museum of Art (1997) and San Jose Museum of Art, California (1990), and galleries in the United States and abroad. She has participated in two Whitney Biennials (1985, 1991). Simmons received the Roy Lichtenstein Residency in the Visual Arts at the American Academy in Rome (2005) and fellowships from the John Simon Guggenheim Memorial Foundation (1997) and the National Endowment for the Arts (1984).
This bronze statue, The Captive, also known as The Slave, is one of the allegorical sculptures for which Maria Dillon is best known. It depicts a woman, whose hands are bound behind her back, bowing…
Designed in the German neoclassical style, the Wörlitz synagogue was modeled on Rome’s Temple of Vesta, featuring a circular building with a conical roof. It was commissioned by Prince Leopold…
When a woman has within herself as much of what is masculine as a man has within himself of what is feminine—i.e., what he lacks in Masculinity, then in their sexual union the divided parts of M and F…