Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
This painting of a service at the Portuguese synagogue in Amsterdam is similar to a painting for which Jacques-Émile-Edouard Brandon received a medal at the Paris Salon of 1867. Both are views of the…
Despite all the great difficulties and obstacles, the school in Demievka soon attracted the attention of the Kiev Jewish public. The remote muddy little street in Demievka became a central location…
In 1942, Arthur Szyk produced this poster, called Tears of Rage, for a series of pageants mounted by Hollywood screenwriter Ben Hecht and militant Zionist leader Peter Bergson to protest inaction…