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Kentridge’s signature practice is to draw an image in charcoal, photograph it, and then repeatedly erase, redraw, rephotograph it, and then animate it on film. Felix in Exile is the fifth film in…
Shachar began to mold and cast human body parts from life early in his career. Here, hands carry the body of a young girl wrapped in a sheet, perhaps alluding to the Virgin Mary supporting the dead…
The Day after the Pogrom was painted shortly after the Kishinev pogrom, in which forty-nine Jews were murdered, more than 500 injured, many Jewish women raped, 700 houses ransacked and destroyed, 600…
