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What we now routinely call klezmer in the United States—“Do you play klezmer?” “There’s a new klezmer album out”—is a truly American construct in three ways: the word sidesteps aesthetic and political…
Contributor:
Mark Slobin
Places:
Middletown, United States of America
Date:
2002
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Better still than this is that they should recite the “Verses of Praise,” Yigdal and Adon Olam, and the other exalted prayers on Sabbaths and festivals to the accompaniment of the harp and the sound…
Contributor:
Aaron Chorin
Places:
Arad, Austrian Empire (Arad, Romania)
Date:
1818
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“There is no Jewish music!” Thus concluded not only our assimilationists but also most of our nationalists.
We will not argue with the former at all, since, according to them, because there is no…
Contributor:
Avraham Tsvi Idelsohn
Places:
Jerusalem, Ottoman Palestine (Jerusalem, Israel)
Date:
1907
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There is no need to provide evidence concerning the great value of folk songs when one wishes to study the history of a people—any people—and all it has undergone. Alongside the history books of each…
Contributor:
Shaul Ginsburg, Peysakh Marek
Places:
Russian Empire (Russia, Russia)
Date:
1898
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Precisely in the case of a new and difficult question like “Jewish folk-music,” [ . . . ] it is necessary to establish as much as possible [its] specific, objective characteristics . . . You make fun…
Contributor:
Joel Engel
Places:
St. Petersburg, Russian Empire (Moscow, Russia)
Date:
1901
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In 1947, when Kurt Weill’s orchestral arrangement of Hatikva received its world premiere in New York, it was still—as it had been for decades—the anthem of the modern Zionist movement, expressing the…
Contributor:
Neil W. Levin
Places:
New York, United States of America
Date:
2004
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It is my pleasant duty, as chairman of the local committee, to extend to you all a hearty welcome to our city and to our Congress, the first Jewish Women’s Congress. It was with some misgiving that I…
Contributor:
Hannah Solomon
Places:
Chicago, United States of America
Date:
1893
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These program notes were prepared for the Radical New Jewish music performances which were part of the ART PROJEKT Festival held in Munich in September of 1992.
American New Music has always been…
Contributor:
John Zorn, Marc Ribot
Places:
New York, United States of America
Date:
1992
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Let us begin with the most basic questions: Can oral traditions of music constitute a reliable source for historical research? While this question is applicable to most music…
Contributor:
Edwin Seroussi
Places:
Ramat Gan, Israel
Date:
1996
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“Practically everyone has seen the prize-winning musical about the lovable people in that little village in Old Russia called Anetevka [sic]. Well, as far as we’re concerned, ‘Fiddler’ made a goof!” M…
Contributor:
Barbara Kirshenblatt-Gimblett
Places:
New York, United States of America
Date:
2001