Sheep and rams frequently appear in the sculptures of Kadishman, a legacy of time spent as a shepherd in his youth. Sacrifice of Isaac is a reimagining of the biblical story of the Akedah, in which…
This Torah curtain was donated to the Altneuschul (Staranova Synagogue) in Prague in 1602 by Natan ben Issachar (called Karpel Zaks), and Hadassi bat Moses, who commissioned it, as attested to by its…
Cover of the souvenir program of the fourth Arbeter Ring (Workmen’s Circle) convention, 1904. The Yiddish banner reads: “We fight sickness, premature death, and capitalism.”
The work of Israeli artist Moti Mizrachi has been exhibited at the Israel Museum; the Kunsthalle, Dusseldorf; The Jewish Museum, New York; and the Hara Museum of Contemporary Art, Tokyo. In 1980, he represented Israel at the Venice and São Paolo Biennales, and in 2000 at the Poznań and Valencia Biennales. Mizrachi received the Israel Prize of the Ministry of Science and Culture (2002) and the Sandler Prize for Sculpture, Tel Aviv Museum of Art (2003).
Sheep and rams frequently appear in the sculptures of Kadishman, a legacy of time spent as a shepherd in his youth. Sacrifice of Isaac is a reimagining of the biblical story of the Akedah, in which…
This Torah curtain was donated to the Altneuschul (Staranova Synagogue) in Prague in 1602 by Natan ben Issachar (called Karpel Zaks), and Hadassi bat Moses, who commissioned it, as attested to by its…
Cover of the souvenir program of the fourth Arbeter Ring (Workmen’s Circle) convention, 1904. The Yiddish banner reads: “We fight sickness, premature death, and capitalism.”