Born into a Bordeaux family with Western Sephardic roots, Jacques-Émile-Édouard Brandon studied at the École des Beaux-Arts in Paris and initially made his reputation with depictions of Christian subjects, particularly his series on the life of St. Bridget of Sweden. In the 1860s, he shifted markedly to Jewish themes, notably synagogue and classroom scenes, the Sabbath, and portrayals of rabbis with children. While Brandon’s style was academic, he did show his Scene in a Synagogue and other works at what came to be seen as the first Impressionist exhibition in Paris, in 1874.
Edouard Brandon’s painting of Amsterdam’s famous Portuguese Synagogue (1675) is set on the Ninth of Av, a fast day commemorating and mourning the destruction of the Temple in Jerusalem. Members of the…
The heder was in the basement. It was a dark, damp room with a low ceiling. There were two windows on the ground level. In the middle of the room, there was a long wooden table covered…
The women’s prayer section depicted in this painting gives a rare glimpse into the ways that women have asserted their agency and voices even in gender-segregated spaces.