Born Baruch Newman in New York, Barnett Newman’s massive-scale color-field paintings earned him a revered spot among New York’s abstract expressionists. After studying at the Art Students League in the 1920s, Newman destroyed all of his then-existing work and abandoned painting for a year in 1939, only to reemerge from this hiatus with a new approach to abstract painting. Newman’s artwork became increasingly existential and philosophically driven. His canvases are notable for their large swaths of color that are bisected by a vertical band. These austerely geometric paintings, though initially met with criticism, greatly influenced his contemporaries and the subsequent generation of abstract artists, establishing his reputation as one of the most important abstract expressionist painters.
In this cubist-influenced self-portrait, the artist has painted herself reflected in a mirror, perhaps a symbol of a divided self. The upturned vessels on the table communicate a sense of upheaval…
In 1919, when Kramer painted The Day of Atonement, modernist art depicting Jewish rituals was considered new and radical, especially in tradition-bound England. When the Jewish community of Leeds…
Helen Frankenthaler’s approach to painting forged a new direction for modern art. She developed a technique in which thinned oil paint seeped directly into the canvas, staining the fabric and yielding…